It takes guts to get up on a stage. It takes persistence, intelligence, and a pretty thick skin to become a comedic icon. In her 1997 book, “Queens of Comedy,” Susan Horowitz called Phyllis Diller “a significant figure in American culture who rose to success through her wickedly self-mocking style.”
“The self-deprecation made her more endearing, more comfortable for people,” Horowitz said. “Everything she did was for the purpose of getting ahead.”
Diller’s move into comedy began out of necessity as much as anything else. Poor and unhappy, she would meet other poor and unhappy women at the Laundromat and regale them with accounts of her home life. Soon, she was being asked to give presentations at parties and P.T.A. meetings.
Her husband thought she should be paid to make people laugh. She initially lacked the confidence to do it. “The Magic of Believing” by Claude M. Bristol gave her the confidence to begin to write her own comedy routines, hired a drama coach to give her more stage presence, and take whatever paid or unpaid performing jobs she could get.
Her rise to fame and continued success were the product of a carefully-constructed persona; seemingly unattractive, mocking day-to-day life, Diller found a way to be non-threatening in an age when few women comics existed. Joan Rivers credits her as a mentor as she built her own career on some of the elements that made Diller such a success.
Why is Phyllis Diller the woman of the week? Strength; courage; grit; humor; hard work; brilliance.
Who will be the next woman of the week? It could be you. If you’re a successful woman who has changed direction and built a new career, I’d love to interview you! Let me know.